ABSTRACT

Various explanations have been offered for the extraordinary popularity of the composer and singer Trịnh Công Sơn: his poetic lyrics, his avoidance of the clichés of prewar music, his antiwar themes, his ability to choose talented female singers, and the like. But little has been said about the Buddhist themes in his songs, perhaps because Vietnamese scholars take them for granted. This article points out these themes and argues that they help explain the Trịnh Công Sơn phenomenon. It also discusses European existentialism, which the author argues fascinated Trịnh Công Sơn but was ultimately not a major influence on his work.

Footnotes

John C. Schafer is professor emeritus in the Englsh Department at Humboldt State University in Arcata, California.